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    • cute boy kissing booth
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  • Blog
  • About
  • Contact
Megan McIsaac
11/7/2011
Photography, Writing
Visual
  • Megan McIsaac

    writing: Daniel Dorsa
  • Age: July 16th, 1990
    Location: Portland, Oregon (but soon to be on the road.)
    Website: MeganMcisaac.com / Tumblr


    Megan McIsaac is a modern vagabond with her camera as her weapon of choice. She has
    been photographing her life ever since she was a child and continues to shoot tons of rolls
    of film to add to her visual diary. Her adventures not only allow her to meet interesting
    faces, but also allows her to really connect to people on a much deeper level. Her
    photographs are very intimate and personal, almost as if you are going through someones
    family album and her spirit, as well as age, is still young. Megan was kind enough to tell
    us about her up bringing and future.
  • Let’s start from the beginning. How did a camera first get into your hands?
     

    My grandfather is to blame. He was an "amateur" photographer, mostly shooting slide
    film. When I was maybe five or six years old, I remember him handing me his Nikon SLR
    and showing me how to use it. Later, when I was seven years old, he gifted me a Polaroid
    camera for Christmas.

     
    You have a personal connectivity to your subjects and it shows in your work. Do
    you ever photograph strangers?

     

    I do, it just depends on what you mean by "stranger." Many of my subjects I've just met
    once or twice before, but I very rarely make a photograph of someone I've never met or
    have no intention of meeting. Even when it comes to photographing a concert or doing
    some kind of commercial work, I always like to meet the person before I make
    photographs of them. I’ve never been particularly interested in making "street"
    photographs or photographs of people passing by.

     
    The people you surround yourself with are being photographed constantly. Is
    there something you’re trying to show about these people in particular?


     
    I like to surround myself with people that inspire me in some way or another, and I enjoy
    making photographs of them because not only would I like to remember them, but I like
    to share the photographs in such away to show others that they're not alone. Does that
    make sense? Making photographs is another way of listening, and I love listening to
    people. I love listening to their body language, to their eyes squinting, blinking, and
    winking, and to the way they dress themselves. And while I’ve been living in Portland for
    the past three years, I still consider myself to be traveling and who knows if or when I’ll
    ever see these friends again.

     
    You grew up in Michigan, but now call Portland home. How has your work
    changed from the big jump to the west coast?


     
    I don't know if you've ever been to Michigan before, but it's not the most friendly or
    welcoming state no matter what city you live in. I loved Detroit. I grew up just north of
    the city, but it still sucked me dry of my creativity and motivation. When I moved out
    west, I had no clue what i was doing. I was just freshly eighteen years old and had
    absolutely no money. My mother, who I lived with at the time, was confused and bothered
    by my idea of just buying a train ticket to some random city I’ve never been to. She
    wanted me to go to college, but we couldn’t even begin to afford it and I didn’t want to
    take out loans like both of my brothers did. Alas, I bought a train ticket to the first city
    that someone off the Internet offered me a couch to sleep on. I
    left Michigan a week later.
    My transition from the Midwest to the west coast definitely helped me gain a clearer vision
    of what I wanted to photograph and how I wanted to make photographs. I was done with
    digital photography. I only owned a digital camera for a few years and never felt
    passionate about it, but once I moved out west and was living from couch to couch for
    seven months, it made me more and more uneasy about owning and using a digital
    camera. I wanted to be free from all of the technology I was using. Anyway, long story
    short, I think the move definitely had an impact on how and why I make photographs, and
    I think that’s still developing as I continue to travel.
  • You went to Croatia. To most of the western world, Croatia seems like a very
    obscure and mysterious place to visit. Why there and how was it?

     
    Croatia is absolutely wonderful and I wish it wasn’t looked at as an obscure and
    mysterious place. My lover at the time, Mime, used to live in Croatia, where his family
    lives. They moved back once it won its independence in the 1990's. His sister was soon to
    be married and so we traveled there to be a part of the wedding and travel around the
    country for a couple of weeks. Fortunately, Mime was able to borrow his father’s car and
    we drove around the entire country in just a few days (it's very small.) I wish I had more
    words to describe it other than "beautiful" and "wonderful", but you'll just have to look
    through my photographs from when I was there. I highly recommend it as a place to visit
    if you love traveling.

     
    Music seems tobe an extremely important influence in your life. You are
    surrounded by musicians and photograph them, even for work. Has
    photographing musicians always been a drive for you or did you just end up
    doing it and enjoying it?

     
    I grew up with a fairly musical family. My father plays guitar, and my mother used to play
    saxophone when she was rather young. My oldest brother, Tim, is heavily influenced by
    music and always has been. He used to share all of his favorite musicians with me and as I
    grew into my teenage years, I began collecting records and playing guitar. When I was
    thirteen, I started photographing concerts at a super small venue in my hometown that I
    used to help book shows at. We needed photographs for fliers and so I started bringing my
    cameras to all of the shows. That lasted until I was fifteen or sixteen. Then, I started
    driving to Detroit multiple nights a week to photograph bigger concerts. I used to just find
    contact information for musicians I had interest in seeing and would ask them if I could
    obtain a photo-pass for their shows if I promised to email them my photographs. It almost
    always worked. From when I was sixteen until I left Michigan, I would drive to Pontiac or
    Detroit at least a few nights every week to photograph shows. I haven’t been frequenting
    shows as often as I used to, but I do still make music and most of my friends are
    musicians as well. I’ve contributed photographs to a few album covers over the past few
    years and that's what I really love doing. Seeing my photographs as part of an album is
    just spectacular.
  • Whenever I see artists with tons of work, I instantly think they aren’t editing
    their own work well enough. However, when I see your work, I think of it more
    as diary from the past. Is this something you strive to do or is it a natural
    occurrence?

     
    Ha-ha. I’ve actually been thinking a lot lately about how I want to go through my
    photographs and re-edit them down to a smaller amount. To answer your question, yes
    and no. Photography for me has always been more of a visual journal of sorts. Alongside
    my photographs, I’ve been keeping written journals since I was a child. I write almost
    every single day, just as I make photographs almost every single day. The reason I share
    so many photographs on my website is simply because I make so many. I feel like they all
    flow with each other and that makes it hard for me to edit them down. They’re sort of my
    public travel journal. Anyway, like I mentioned, I would like to edit them down at least a
    little bit and share only my most recent photographs. As for the thousands that wont be
    included on mywebsites, I hope to include them in books in the future.

     
    Any photoprojects you have going on at the moment?
     
    For the past few months my partner and I have been working on our RV, a 1977 Toyota
    "Dolphin," that we purchased together this past summer. We’ll be leaving Portland (for
    good) in a few weeks and basically everything that could go wrong has and probably will
    still continue to go wrong. I’ve been putting most of my energy towards this move, as we'll
    be living out of our RV, for an unknown amount of time. Mostly, I’ve just been
    photographing my friend and housemate, Shane, and doing small projects with
    friends before we hit the road.

     
    What do you seeon the horizon?
     
    As I mentioned before, I’m about to begin traveling again and that’s all I can think about!
    It’ll be so nice to be living in a mobile home so I don't have to waste my money on rent
    and bills of the sort. I’ll be trying my best to process as much of my film as I can in the
    truck and getting scans of my negatives along the way. We just plan on heading south and
    staying with the sun as much as we can, but who knows what will happen. I want to
    begin working on my first photo-book, which will be a collection of the photographs I make
    while living out of the Dolphin. But like I said, who knows what willhappen.

     
    Any last words or shout outs?

    If anyone that lives anywhere along the west coast wants to meet up while we're
    traveling, don't hesitate to contact me :)

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    Music
    12/15/2011
  • Selection of Works - 12/14/11
    Visual
    Photography
    12/14/2011
  • Levi Mandel
    Visual
    Photography, Writing
    12/13/2011
  • Nota Zine/ Yohuna & Truman Peyote
    Sounds
    Music, Visual Arts
    12/12/2011
  • Art Basel
    Visual
    Photography, Film, Fine Arts
    12/8/2011
  • Prince Rama
    Visual
    Music, Photography, Film
    12/7/2011
  • Selection of Works - 12/6/11
    Visual
    Photography
    12/6/2011
  • Hundred Waters
    sounds
    Music
    12/5/2011
  • High Five - 12/1/11
    Visual
    Film
    12/1/2011
  • Sean Litchfield
    Visual
    Photography, Writing
    11/30/2011
  • Lighthouse Music
    Visual
    Film
    11/29/2011
  • Selection of Works - 11/28/11
    Visual
    Photography
    11/28/2011
  • Tiny Waves Mix 11-24-11
    Sounds
    Music
    11/24/2011
  • Jessica Wassil
    Visual
    Illustration, Drawing
    11/23/2011
  • Selection of Works - 11/22/11
    Visual
    Photography
    11/22/2011
  • Ricky Eats Acid
    Sounds
    Music
    11/21/2011
  • High Five - 11/18/11
    Visual
    Film
    11/18/2011
  • Mariam Sitchinava
    Visual
    Photography, Writing
    11/17/2011
  • Tiny Waves Mix 11-16-11
    Sounds
    Music
    11/16/2011
  • Mutual Benefit and PSH Split
    Sounds
    Music
    11/15/2011
  • Selection of Works - 11/14/11
    Visual
    Photography
    11/14/2011
  • High Five - 11/10/11
    Visual
    Film, Writing
    11/10/2011
  • Tiny Waves Mixtape 11/9/11
    Sounds
    Music
    11/9/2011
  • Church of Holy Colors Fundraiser
    Sounds
    Music, Photography, Film
    11/8/2011
  • Grimes / Austra
    Sounds
    Music, Photography
    11/4/2011
  • Memoryhouse
    Sounds
    Music, Photography, Film
    11/3/2011
  • Halloween Havoc
    Sounds
    Music, Writing, Photography
    11/3/2011
  • Selection of Works - 11/1/11
    Visual
    Photography
    11/1/2011
  • Selection of Works - 10/27/11
    Visual
    Photography
    10/27/2011
  • Hear Hums Announce Fall Tour
    Sounds
    Music
    10/31/2011
  • MJ MJ Records
    Sounds
    Music
    10/25/2011
  • Michael Friberg
    Visual
    Photography, Writing
    10/24/2011
  • Selection of Works - 10/20/11
    Visual
    Photography
    10/20/2011
  • Weekly Mixtape - 10/19/11
    Sounds
    Music
    10/19/2011
  • Nick Hopper
    Visual
    Photography
    10/18/2011
  • RxRy: Alpha
    Sounds
    Music
    10/17/2011
  • Selection of Works IV
    Visual
    Photography
    10/15/2011
  • Selection of Works III
    Visual
    Photography
    10/12/2011
  • Tiny Waves Mixtape III
    Sounds
    Music
    10/12/2011
  • Elestial Sound Release Show
    Sounds
    Music
    10/11/2011
  • Cop City/Chill Pillars at Stardust
    Sounds
    Music
    10/10/2011
  • Jocelyn Allen
    Visual
    Photography
    10/10/2011
  • Tommy Nease
    Visual
    Photography, Interview
    10-06-2011
  • MASS Visual
    Visual
    Fine Arts
    10-06-2011
  • Ben Varian
    Sounds
    Music
    10-05-2011
  • Tiny Waves Mixtape II
    Sounds
    Music
    10-05-2011
  • Surfin Serf
    Sounds
    Music
    10-05-2011
  • Selection of Works II
    Visual
    Photography
    10-04-2011
  • Zombietoberfest 2011
    Sounds
    Music
    10-03-2011
  • Tiny Waves Launch Show
    Sounds
    Music
    10-03-2011
  • Hear Hums - Growing
    Visual
    Music, Video
    09-30-2011
  • Andrew Tomchyshyn
    Visual
    Photography
    09-30-2011
  • Selection of Works I
    Visual
    Photography
    09-30-2011
  • Southern Nights
    Sounds
    Music
    09-30-2011
  • Inner Islands
    Sounds
    Music, Interview
    09-30-2011
  • Tiny Waves Launch Mixtape
    Sounds
    Music
    09-30-2011
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