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  • Blog
  • About
  • Contact
Sean Litchfield
11/30/2011
Photography, Writing
Visual
  • Sean Litchfield

    Writing: Daniel Dorsa
  • Age: 23
    Location: Boston, MA
    Website:
    SeanLitchfield.com / Blog

    Sean Litchfield is an editorial / fine art photographer hailing from the northeast. Sean
    tends to spend much of his time photographing human dwellings and spaces. I was
    fortunate enough to talk with Sean and pick his brain about his work and his plans for the
    future.
  • Alrighty, let’s start at the beginning. How did you start photographing?

    While it was a hobby as a kid, I started taking photography seriously when I was 16. I 
    think I always knew, even subconsciously, that it was something I was interested in. 
    There's a shoebox somewhere full of pictures I made when I was really little…I'd love to 
    find that.

    Your work seems to be greatly influenced by the New Topographics. Did 
    photographing in this style come naturally to you or were you inspired by that 
    movement?

    I make a conscious effort not to think about my style when I'm out photographing. I do 
    what comes naturally to me. Over-thinking these issues can get in the way of making 
    good pictures so most of my influences are subconscious. Many of my projects come out
    of simply exploring interesting places. 

    Your series, The Tragic and the Picturesque American Suburb, had plans to 
    become a book. You were working with Zachary Violette, an architectural 
    historian, to create not only a beautiful, but also informative publication. What is 
    going on with that?

    We're still working on that. I stayed in the South for a month in September 
    photographing for the project (and eating a fair amount of BBQ) and I'm really happy 
    with how it's shaping up. We went there together for a couple of trips, but I think I just 
    needed to spend some time down there alone and for a longer period of time to take the 
    work a bit further. Zachary is busy with a million other things but as soon as he has a 
    better handle on things, he should be able to pick back up with the writing.
  • What is your interest in human habitats/spaces?

    I think there's an innate human need to constantly seek understanding of our 
    environments, which I suppose is what my work is all about. I find the way people 
    structure their habitat fascinating, sometimes more so than the actual people living in 
    them. One of my favorite things to do is travel to a new place and figure it out.

    You seem to have a keen knack of creating interesting photographs with some of
    the dullest of subjects. What grabs your attention when you’re out shooting?

    Thanks! I want to make very earnest photographs and I do that by paying close 
    attention to the details that go in to an image and how they interact with one another. 
    It can be something as simple as the textures and the colors of a space, how the light is 
    falling on something, an interesting moment happening or the whole scene overall.

    Your projects tend to be pretty conceptual. How do your concepts spawn?

    Mostly just by never turning my brain off. My work is heavily influenced by the world 
    around me and I'm always looking closely at things and asking questions. Like I said 
    before, going outside, with or without a camera, surely helps spawn new ideas. 
  • What is photography to you?

    For me, it's just a way to fix an image-it's more satisfying than drawing a picture. I 
    chose it as a medium because I like seeing things with my eyes first and then being able 
    to look at it more closely later on.

    What is the future looking like for you?

    Well, I'm hoping to get more editorial work and see things happen with my new projects. 
    Zachary is currently working on his dissertation research, but I'm hoping he can spend 
    some more time with the photographs and begin writing. I'm excited/anxious to see what 
    happens over the next few months.

    Any shout outs, last words, or advice?

    Making a living in this businessis too hard if you don't love what you do. Just 
    photograph what you love and what excites you. Find a way to relate to what you're 
    photographing. For me, I work best in places where there's a prominent working class 
    population because it's where I come from and where I feel most comfortable, so I make 
    it work for me. 
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    Sounds
    Music
    10-03-2011
  • Tiny Waves Launch Show
    Sounds
    Music
    10-03-2011
  • Hear Hums - Growing
    Visual
    Music, Video
    09-30-2011
  • Andrew Tomchyshyn
    Visual
    Photography
    09-30-2011
  • Selection of Works I
    Visual
    Photography
    09-30-2011
  • Southern Nights
    Sounds
    Music
    09-30-2011
  • Inner Islands
    Sounds
    Music, Interview
    09-30-2011
  • Tiny Waves Launch Mixtape
    Sounds
    Music
    09-30-2011
All works © Tiny Waves 2011.
Please do not reproduce without the expressed written consent of Tiny Waves.